paxcentral.blogg.se

Subramaniapuram swathi killing scene
Subramaniapuram swathi killing scene










subramaniapuram swathi killing scene subramaniapuram swathi killing scene

The story completely rests on Sasikumar’s shoulders whose fiery and powerful eyes do the major talking for him. In Poraali, Samudirakani has dichotomized his film’s setting as urban for first half and rural for the second half. And hence people who manage to struggle and survive in such a scenario are indeed the ‘Poraali’s or Warriors. And director Samudirakani goes on to say it is an uphill task to carry on in this world which is overcrowded with animals in the guise of humans. The arc of Poraali springs from Aristotle’s words-Man is a social animal. This combination always stirs up expectations, thanks to their appreciated previous outings Subramaniapuram, Nadodigal and Easan. The Samudirakani-Sasikumar teamwork is back again with the former wielding the baton and the latter applying the greasepaint in Company Productions Poraali.












Subramaniapuram swathi killing scene